There is no standard method to comic scripts, as you’ll see. You can find the Comic Script Archive as it’s the top entry on google if you enter “Comic Scripts.” “Where can I find comic scripts” is a question I’m asked all along. I’ll say this here as a general thing, as I’ve never said it directly to anyone: if you asked this question, you really need to up your game. If you need mentoring for that, you are not going to make it.
If you want to see one of mine, here’s one for Phonogram: The Singles Club.
Phonogram scripts are unusual, so perhaps not one to take many lessons from - most artists will club you if you write a script like this. If you want to see me working in a more commercial mainstream stripped-back mode, there was a DIRECTOR’S CUT of DARTH VADER 1, which includes my complete script for the issue. Decompressed: my comics craft podcast.It’s on comixology, but you can probably get it from a shop or Ebay. I go into detail with a creator over their choices with a book. “Why this panel? Why that panel?” This is basically the sort of questions you should be asking yourself whenever you read a comic for the next few years or so. As Warren says in his essays, yes, it does ruin your reading of comics for a few years, but it’s the cost of doing business. IDLE PIECES OF BULLSHIT MAXIM I SAY TO MYSELF WHICH YOUR MILEAGE MAY VARY ON How Comics Is Unlike Prose): An off-the-cuff piece about how I write for a set format (A 20 page comic). When analysing comics, assume the creators had a good reason for making the choice they did.An artist who is not inspired will create shit work. There’s a time you can afford arrogance, and it’s far in the future.
The last isn’t always true, but you’ll learn more this way.įor now, assume they know more than you do.I’m suggesting stances which maximise your chance for growth as a creator at the expense of your emotional well-being. See also : if someone can’t understand your book, it’s always your fault.
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